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The Best Movies of 2022 (So Far)
From ‘The Worst Person in the World’ and ‘Cyrano’ to ‘Top Gun: Maverick’ and ‘Nope,’ here are the best movies we’ve seen so far this year, according to Vulture’s film critics Alison Willmore, Bilge Ebiri, and Angelica Jade Bastién.

The Best Movies of 2022 (So Far)

Photo-Illustration: Vulture; Photos Courtesy of the Studios

It’s summer. The sun is out. And it’s never too early to look back and count our blessings at the movies. The range of cinematic journeys we’ve experienced so far in 2022 so far are dizzying, from poignant hormonal awakenings (Turning Red) to an epic battle across multiple universes in (Everything Everywhere All at Once) to a 50-year-old madman’s doomed flight from a jumbo-sized cannon (Jackass Forever). And that’s just the start. Here are the best movies Vulture has seen and (for the most part) reviewed this year, according to our critics Alison Willmore, Bilge Ebiri, and Angelica Jade Bastién, arranged in unranked and chronological order.

January

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Photo: IFC Films/YouTube

About halfway through the psychological thriller Resurrection, Rebecca Hall delivers a nearly eight-minute monologue about her character’s past that is so riveting, so mystifying and terrifying, that you shouldn’t be surprised if it shows up in every acting class sometime in the near future. Hall plays Margaret, a fastidious single mom and biotech exec living in Albany with her increasingly independent teenage daughter. One day, she glimpses a face from her past that tears her world apart: David (a deliciously smug and menacing Tim Roth), a man with whom she had a demented and abusive relationship 22 years before. Almost immediately, this woman who seemed so confident turns into an exposed nerve. And as soon as she unravels, we understand why she’s been so careful, so self-contained, up until now. The charm of Resurrection lies in the fact that, after a while, you have no idea where the movie is going or how it will resolve itself. Writer-director Andrew Semans creates a mood of cosmic suspense where we’re guessing not just what will happen next but what kind of movie we’re even watching. And for all its outrageous twists and turns, the film maintains its unshakable existential ambiguity right to the end. —B.E.

Read Bilge Ebiri’s review of Resurrection.

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