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10 Florence Pugh Performances, Ranked From Good To “Give This Woman An Oscar Already”
Don't worry darling, I ranked Miss Flo's work for you.

10 Florence Pugh Performances, Ranked From Good To “Give This Woman An Oscar Already”

Don’t mind me, sashaying into this article carrying an Aperol Spritz while I’m supposed to be at a press conference listening to Harry Styles describe what a movie is. I am here (in my purple two-piece ensemble complete with matching bag and jacket) to sing the praises of the illustrious Miss Flo (as her dearest friends tend to call her).

Chuck Zlotnick/Disney+/Marvel Studios/Courtesy Everett Collection

SPOILER ALERT FOR THE MARVEL CINEMATIC UNIVERSE

Florence Pugh’s Yelena, the younger sister of Scarlett Johansson’s Black Widow, became the breakout star of the film. She then reprised the role (as Marvel actors tend to do) in the Disney+ series about Black Widow’s old bestie, Hawkeye. Yelena is definitely playing third fiddle here to Jeremy Renner’s Hawkeye and Hailee Steinfeld’s Kate Bishop, but Pugh brings her charm and dry wit to the role. Because she only pops up at the tail end of the series to try and kill Hawkeye (she is a trained assassin after all), Florence Pugh doesn’t get a ton of screen time, but she steals several scenes out from under the show’s leads in her thick Russian accent. 

7. Black Widow (2021) — Yelena Belova

Walt Disney Studios Motion Pictures/Marvel Studios/Courtesy Everett Collection

SPOILER ALERT FOR THE MARVEL CINEMATIC UNIVERSE

And one slot higher, we have the original Yelena appearance. While most would agree that Black Widow is a mid-tier Marvel film, Florence Pugh’s performance stands out as one of the best in the MCU (and 2022 films in general, imho). Pugh provides the comic relief, razzing her older sister for her signature fight stances and wardrobe choices. She also keeps up with Scar Jo in the stunts department, kicking ass in fight scenes, chase sequences, and aerial acrobatics. We also see Pugh flex her signature dramatic acting chops as she reunites with her estranged sister and then must say goodbye to her again at the end of the film, something that carries extra resonance with Avengers: Endgame viewers who know Black Widow will sacrifice herself. We most definitely need a Yelena feature stat.  

6. Lady Macbeth (2017) — Katherine Lester

Laurie Sparham/Roadside Attractions/Courtesy Everett Collection

While The Falling may have been Pugh’s first film role, Lady Macbeth is the one that put her on the map and cemented her as a star to watch. Not based on the evil, bloody-handed queen of Shakespeare’s play, the film instead follows a young British woman forced into a loveless marriage in the 1800s. Married off to a rural landowner’s son, Pugh’s Katherine slowly begins to forge a life for herself, eliminating any obstacle (human or otherwise) that stands in her way. As she proved in The Falling, Pugh has a knack for playing strong women undaunted by societal norms, and in this lead role, she’s allowed to show the full breadth of her acting talent. 

5. Don’t Worry Darling (2022) — Alice Chambers

Warner Bros./Courtesy Everett Collection

SPOILER ALERT FOR DON’T WORRY DARLING

Unfortunately for Olivia Wilde’s follow up to Booksmart, the press tour of Don’t Worry Darling far surpasses the actual movie when it comes to drama and intrigue. The film is fine, and Harry Styles is not necessarily bad in it (his role is fairly small), but the one outstanding facet is, of course, Miss Flo’s acting. Playing a woman trapped in a cult-like 1950s village controlled by men, she gets to be fun, flirty, and perky before slowly descending into madness. As in Lady Macbeth, we see her play unhinged, but this provides her with a bit more range. Also, she gets to wrap her own head in saran wrap, sprint through the desert, and receive oral sex from Harry Styles, so there’s some fun physicality here that we haven’t seen from Pugh yet on this list. 

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4. Little Drummer Girl (2018) — Charlie Ross

Jonathan Olley / AMC/Link Factory/Courtesy Everett Collection

While Miss Flo has appeared in several television shows (including Hawkeye of course), her most notable TV performance is in this British spy thriller. Pugh plays an actress who is recruited by Israeli intelligence while touring in Greece to infiltrate a terrorist organization. She’s basically giving Sydney Bristow here as a young recruit thrust into high-stakes espionage (or sexpionage in some cases) to save the world from certain destruction. As an actress playing whatever role she needs to to infiltrate the villain’s lair, Pugh is given a complex set of emotions and scenes to play, and with six full episodes, she’s got plenty of screen time to show off exactly what she can do. If you’re a Pughhead, this is a top-notch performance, and perhaps one you missed as the BBC series premiered quietly here in the US. 

3. Fighting with My Family (2019) — Saraya “Paige” Knight

Rogert Viglasky/MGM/Courtesy Everett Collection

I defy an actor to have a stronger year in film than Florence Pugh’s 2019. We got three films left on this list and they premiered back-to-back-to-back pre-pandemic, skyrocketing Pugh to A-list status. The first was this wrestling dramedy about real-life WWE star, Paige, a British girl from a wrestling-obsessed family who competes along with her brother to be a pro. Pugh is delightful as this crass, thick-skinned body slammer who is forceful in the ring but hides her sensitivity as she balances her career with her deep love of family. She’s sweet when she needs to be, she’s arm-barring her competitors at other points, and then there are her sassy interactions with the Rock. Pugh also has great chemistry with her onscreen mom played by Game of Thrones‘s Lena Headey. This is one of those movies that was never going to win awards but certainly deserved them.  

2. Midsommar (2019) — Dani Ardor

A24/Courtesy Everett Collection

I’m sure that I will get plenty of flack for not giving this performance the top spot, and I would certainly not object to anyone who lists Midsommar as Miss Flo’s best work. I mean the walking across the field while crying. The group morning. The look on her face as she’s made May Queen and watches the barn fire. Her reaction to the old people jumping off the cliff. I’d never heard of Florence Pugh before watching Midsommar, but I couldn’t get her out of my head after. This is Florence Pugh’s movie from start to finish and she’s incredible as a woman in mourning who travels with her deadbeat boyfriend to Scandinavia for vacation. While I think this is a perfectly calibrated performance, it does keep Pugh almost entirely in the drama box though, and as we’ve seen with Black Widow and Fighting with My Family, she’s got great comedic chops that go unused here. But please don’t stuff me in a bear suit and burn me alive for saying this isn’t her best work. 

1. Little Women (2019) — Amy March

Columbia Pictures/Courtesy Everett Collection

As a self-identified (and a BuzzFeed quiz-identified) Amy March, I will admit that I am in the tank for all things Amy. But I swear my Little Women obsession is not the only reason why Florence Pugh’s performance as the youngest March sister is #1. To start, there is the fact that this is Miss Flo’s only Oscar-nominated performance, but aside from that, Greta Gerwig’s adaptation is just the perfect vehicle for Pugh’s range. There’s the fact that she has to play the same character across two different timelines, and somehow manages to deliver both a child and adult performance with equal amounts of realism and conviction. Moreover, of the four sisters, she is the one who delineates her two selfs the most clearly. In many ways, she’s the comedic relief of the quartet (I mean Beth and Meg certainly aren’t bringing the jokes), but she’s also given some of the most gut-wrenching dramatic moments as well. In one moment she’s making Laurie a mold of her feet and in the next, she’s delivering a feminist monologue about the brutal condition of women in society. And the best scene in the whole movie is this one, where Amy says “Stop it Laurie. You’re being mean.” Florence Pugh really said “I want to be great or nothing,” and guess what? She’s certainly not nothing.