48 Of The Best Movies To Stream On Hulu In July

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Five students from different cliques are forced to spend a Saturday in detention under the watchful eye of the school’s authoritarian vice principal. As the day drags on, they slowly start to connect over a shared sense of disillusion and disappointment, and the group ends up forming an unbreakable bond of friendship. More than three decades after its release, The Breakfast Club remains the definitive coming-of-age story in American cinema, as writer and director John Hughes captured teen angst and isolation in a way that still rings true to viewers who were born long after this movie was made.

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Burn After Reading is a fantastic film that features blackmail, murder, espionage, and Brad Pitt. But hands down the best parts of the movie are the scenes where CIA officer Palmer (David Rasche) and his superior (J.K. Simmons) discuss the events of the film with a mixture of frustration, disbelief, and apathy. By the end, they have no idea what they’ve learned from everything that happens, and they pretty much agree to move on without dwelling on it too much. It’s hard to call a Coen brothers movie underrated, given their long-held reputation as one-of-a-kind auteurs, but it feels like this dark comedy is not given due credit in its absurd venture into just how stupid almost every job is. 

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Collective follows Romanian journalists as they uncover widespread corruption in the government’s handling of healthcare. What really sets Collective apart from most modern documentaries is its confidence in not needing to use the genre’s clichés to overexplain everything to the audience. There is no voiceover or dramatic score to try to manipulate you as a viewer; instead, you just get to see what is unfolding onscreen. Collective made less than $150,000 at the global box office, but it has received universal praise from critics, winning Best Documentary at the European Film Awards and London Film Critics Circle. It even became the first-ever Romanian film to earn a nomination at the Academy Awards.

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Sandra (Ann Dowd), manager of a ChickWich fast-food restaurant, receives a phone call from someone identifying themselves as Officer Daniels, saying that an employee from her store was accused of stealing from a customer. Sandra believes it is Becky (Dreama Walker), and once Daniels confirms, things take a horrifying turn, as Sandra believes she is following orders and is willing to do whatever it takes to get Becky to admit that she is the culprit. I won’t spoil anything that happens, but needless to say, it reaches extremes that will make your stomach turn. And what makes it really horrible is that almost everything you see in the movie actually happened in real life at a McDonald’s in Kentucky.

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Paige (Rowan Blanchard) is a shy, artistic high schooler who joins the track team in hopes of getting closer to her crush, Gabriella (Isabella Ferreira). But she ends up getting trained by Gabriella’s sister, AJ (Auli’i Cravalho), and starts to develop feelings for her as well. Queer romances have historically been ignored in high school movies and if they are told, there’s a tragic undertone and a bummer ending. So it’s refreshing to see a standard coming-of-age high school rom-com with all of the beats you know and love from the genre, except this time it’s a lesbian character at the center. 

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Andy Sachs (Anne Hathaway) is an aspiring journalist who ends up working as a junior personal assistant to Miranda Priestly (Meryl Streep), the brilliant but brutal Editor-in-Chief of the legendary Runway magazine. At first, it seems like a job from Hell but slowly, Andy finds herself drawn in by the glamorous and cutthroat world of fashion. Hathaway is unsurprisingly wonderful and Emily Blunt is also great in an early scene-stealing role as Andy’s rival co-worker Emily. But we all know who really owns this movie. It’s Meryl’s show. It sounds ridiculous to complain about someone who has won three Oscars not winning an Oscar but, seriously, how the hell did Streep not win for her iconic work as Miranda?

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After lying about losing her virginity, Olive Penderghast (Emma Stone) finds herself at the center of gossip around school. Rather than set the record straight, Olive responds to the slut-shaming by pretending to sleep with the school’s social outcasts and earns a reputation as a modern-day Hester Prynne. Considering that Stone would go on to win an Oscar and become one of the biggest actors in Hollywood, it’s no surprise that she delivers a fantastic performance here that helped make Easy A a modern coming-of-age classic. It also features perhaps the greatest movie parents of all time in Patricia Clarkson and Stanley Tucci, who defy genre stereotypes by playing parents who actually get along with and try to understand their teen daughter.

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This is not the first time that Pride and Prejudice has been adapted in movie form but Fire Island is already one of the best. The retelling of the classic Jane Austen novel focuses on a group of gay best friends heading to Fire Island for their yearly reunion. Noah (Joel Kim Booster, who also wrote the film) and Howie (Bowen Yang) are best friends who are struggling with the lack of romance and direction in their lives. It’s a sweet rom-com with a ton of heart and a health dose of humor. The real star of the film is Tomás Matos, who manages to get laughs with basically every line he delivers.

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As he is about to marry his husband, Amin Nawabi shares the story of how he fled his home in Afghanistan and became a refugee in Denmark. Since its debut at Sundance at the beginning of 2021, Flee has been deemed an “instant classic” by critics, and its animation style, themes, and representation of LGBTQ relationships have all been celebrated by viewers, including Parasite director Bong Joon-ho, who listed it as one of his favorite films of 2021. The animated docudrama was nominated for a trio of Academy Awards: Best International Feature Film, Best Documentary Feature, and Best Animated Feature.

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Like many of us, Noa (Daisy Edgar-Jones) finds herself exhausted by the endless mediocrity of online dating, so when she meets a seemingly great guy named Steve (Sebastian Stan) in the real world, she quickly falls for him. The two plan a romantic weekend getaway, but things take a dark and unexpected turn that I won’t spoil for you here. Fresh is a hilariously upsetting glimpse into the bizarre experience of modern dating, with Stan and Edgar-Jones both delivering great performances that help make it feel like one of the most innovative films made in a long time.

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Tinja (Siiri Solalinna) is an aspiring gymnast who is under constant pressure from her mother to be the absolute best. One day, she discovers an egg, which she decides to bring home and secretly take care of. When the egg finally hatches, things get real weird, and the creature becomes a reflection of Tinja’s own internal struggles. This Finnish horror film has been widely praised by critics, with Hatching‘s visual style and use of tension being seen as innovative, especially in a genre that can so often feel derivative and dull. Director Hanna Bergholm has been heralded by many as one of the next great up-and-coming filmmakers due to her work on the film.

Available on Hulu July 29.

The rise and fall of a musical artist is well-trodden territory in movies, but Her Smell gives a unique perspective on the genre by really ping into the complex and self-destructive nature of its lead, Becky Something (Elisabeth Moss). As a viewer, you’ll find yourself simultaneously repulsed by Becky’s selfish behavior and sympathizing with her struggle to maintain control of her constantly spiraling existence. And all credit for this nuanced character study should go to Moss, who has quietly established herself as one of the best actors of her generation and deserved an Oscar nomination for her performance here.

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Hitch (Will Smith) is a “date doctor” who helps hapless men get the woman of their dreams with a few neat tricks and tips. But after he finds himself falling for Sara (Eva Mendes), Hitch discovers his usual moves don’t work on her and he may actually have to try forging a genuine connection to win her over. Hitch is a pretty paint-by-numbers rom-com, but none of that matters when you have the effortless charm of Smith at your disposal, who manages to keep Hitch from feeling like too much of a scumbag or bitter incel type. The chemistry between him and Mendes is what carries the film, as their playfully combative banter is really masking both characters’ struggles to let their guard down and give vulnerability a real shot.

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Nicholas Angel (Simon Pegg) is a no-nonsense police officer who is so good at his job that his jealous colleagues manage to get him transferred to the small, quiet town of Sandford because he is making them all look bad. While his reassignment seems to doom him to a life of chasing swans and busting underage drinkers, he and his dimwitted partner, Danny (Nick Frost), uncover a massive conspiracy when they investigate a string of “accidental” deaths in the town. After his impeccable parody of zombie flicks with Shaun of the Dead, director Edgar Wright takes on the buddy action movie with equal success here as Hot Fuzz simultaneously lampoons and celebrates the genre.

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The mostly true story of a group of strippers who were able to con rich customers out of large amounts of money, Hustlers became a runaway success upon its release. The movie earned more than $150 million at the box office and received widespread critical acclaim. It even developed some serious Oscar buzz, and while it (along with Jennifer Lopez’s incredible performance) ended up getting snubbed at the Academy Awards, Hustlers‘ cultural impact is undeniable at this point. Plus, it’s just a really fun, well-made movie that you enjoy just as much the fifth time watching as you did the first time.

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Tonya Harding (Margot Robbie) was a rising star in the world of figure skating in the early ’90s, and in I, Tonya, we get an up-close look at her meteoric rise and subsequent fall from grace. I, Tonya is by no means a completely accurate retelling of that tale, and critics have complained that the film lets the titular skater off the hook when it comes to her role in the infamous attack on Nancy Kerrigan. But the film is not pretending to be a history lesson — it’s a character study; and in that respect, it’s a highly entertaining journey into the life of one of the most controversial figures in American sports. And the entire cast delivers Oscarworthy performances, with Allison Janney even winning a well-deserved Academy Award as Harding’s casually abusive mother.

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Shortly after moving into a new home, Josh (Patrick Wilson) and Renai (Rose Byrne) Lambert are devastated and confused when their son Dalton falls into a coma for seemingly no reason. Things get even worse when the comatose Dalton (Ty Simpkins) becomes a vessel for a variety of evil and demonic spirits. Director James Wan had already established himself as a force in the horror genre, but Insidious made him one of the most sought-after directors in the movie industry. Despite a microscopic budget of just over $1 million, Insidious earned over $100 million worldwide, becoming one of the biggest horror hits of this century and spawning an incredibly profitable franchise.

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Alma (Maren Eggert) agrees to participate in a three-week experiment where she will evaluate a robot named Tom (Dan Stevens), who is supposedly programmed to be her ideal man. At first, Alma is mostly amused by the idea, but even as she finds herself growing closer to Tom as the trial progresses, she remains skeptical about the possibility of truly connecting with a person who isn’t actually a person. I’m Your Man almost functions as a Trojan horse of storytelling, as its clever premise and clever script draw you into a thoughtful and challenging story about loneliness, humanity, and whether any of us really knows what we actually want in life.

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Forgetting is just a part of life, but what would happen if you forgot everything about yourself with no clear explanation? That is the premise of Italian Studies, in which a woman (Vanessa Kirby) walks into a store in New York City, only to suddenly find herself unsure of who she is. She wanders the streets, but her journey is an aimless one, as she does not even know exactly what it is she is looking for. Italian Studies has received mixed reviews from critics for its repetitive narrative and failure to execute on its intriguing premise. But the performance of Kirby has received universal praise, as she manages to convey the complex emotional journey of someone who has lost their identity.

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After spending most of the last decade of her life in and out of prison, 26-year-old Jacinta plans to get clean and become a better role model to her 10-year-old daughter. This harrowing documentary takes a brutally honest look at the struggles that addicts face in trying to get their lives back on track, and explores the unhealthy dynamics of the codependent relationship between Jacinta and her mom, Rosemary. Since its release, Jacinta has been unanimously praised by critics and generated lots of buzz along the film festival circuit.

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What happens when a struggling actor and a struggling jazz musician cross paths in Los Angeles? Movie magic, baby! While it didn’t actually end up winning Best Picture (to be fair, Moonlight totally deserved it), La La Land remains a remarkably entertaining movie and one of the best movie musicals of the 21st century. That’s in no small part thanks to Emma Stone (who did end up winning an Oscar) and Ryan Gosling, who manage to effortlessly carry the movie with their dynamite chemistry and surprisingly great dance moves. Even if you find yourself (justifiably) rolling your eyes when Sebastian (Gosling) is explaining jazz to Mia (Stone), you’ll find yourself tapping your toes during the outstanding musical numbers.

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Now that Kirsten Dunst is finally getting the respect she deserves as one of our finest living actors, it’s a great time to revisit one of the best performances of her career. Director Sofia Coppola reimagines the iconic queen in a modern context, focusing on her naivete and excitement as she enters the world of royalty, where every move she makes is judged by everyone around her. Dunst plays the role to perfection, finding the humanity in Antoinette at every moment, even as she struggles with her marriage and the growing civil unrest in France. And even those who were confounded by Marie Antoinette‘s somewhat irreverent tone could not deny it is an absolutely gorgeous film that managed to snag the Oscar for Best Costume Design.

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Years after a school shooting, two sets of parents decide to meet at a church to privately sit down and talk. Jay (Jason Isaacs) and Gail (Martha Plimpton) Perry’s son died in the shooting, while Richard (Reed Birney) and Linda (Ann Dowd) are the parents of the shooter, who also died. Other than a quick couple of scenes setting up the meeting, Mass consists almost entirely of these four having the most painful and difficult conversation you can imagine. The movie touches on the politics and larger cultural discussions around this issue but primarily focuses on the pain, confusion, and anger each of these parents has experienced. As you might expect, the movie is incredibly tense at times, yet writer and director Fran Kranz resists giving easy answers or pointing fingers. Instead, Mass feels like one of the more honest explorations of one of the most upsetting realities that far too many parents have had to face over the last few decades.

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Milk tells the true, inspirational, and tragic story of Harvey Milk (Sean Penn), the first openly gay man to be elected to public office in the state of California. Penn is phenomenal in his portrayal as the real-life politician and gay activist, with his performance winning him his second Oscar. The rest of the cast is also fantastic, with Josh Brolin, Diego Luna, and Emile Hirsch all lending their talent to this groundbreaking film. And with the current political attacks on the LGBTQ community, Milk feels more prescient than ever, as it shows how long the queer community has been fighting just to be treated as equals.

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Sports movies tend to skew more toward the inspirational aspects of competition and overcoming adversity than the actual nuts and bolts it takes for a team to win. But Moneyball firmly favors the latter as we see Oakland Athletics general manager Billy Beane (Brad Pitt) embrace advanced stats in order to field a competitive team, despite having one of the smallest payrolls in the league. Aaron Sorkin delivers one of his best scripts, effortlessly infusing his patented rapid-fire dialogue to keep discussions about sabermetrics from ever becoming dull or confusing for someone who knows nothing about baseball. Moneyball proved to be a success both financially (earning $110 million against a $50 million budget) and critically (it was nominated for six Oscars, including Best Picture), firmly establishing it as this century’s best baseball movie.

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A new prisoner arrives at La Maca, an infamous prison in the Ivory Coast that is run by inmates, and is selected to be the new “Roman,” which requires him to tell a story to the prisoners. He begins to tell the story of the death of Zama King, a leader of the gang he belonged to, but he soon learns that he must keep telling the story until dawn or he will lose his life. Night of the Kings has received widespread critical acclaim since its release, winning the African American Film Critics Association Award for Best Foreign Film and the NAACP Image Awards 2021 for Outstanding International Motion Picture.

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You know those movies that your cinephile friends have been telling you to watch for months? Nomadland is probably at the top of that list, and after its big showing at the Oscars back in April, you have no more excuses for putting it off. And once you finally watch it, you’ll wonder why you didn’t see it sooner. Based on the 2017 nonfiction book of the same name, the film centers on Fern (Frances McDormand), who sells most of her possessions and takes to life on the road shortly after losing her job. McDormand won her third Oscar for her intimate portrayal of a woman trying to rediscover her place in the world, but what’s really impressive is how well the rest of the cast keeps up with her despite being composed almost entirely of “nonactors.”

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Danni Sanders (Zoey Deutch) is yet another millennial who would do anything to be famous. So what’s her plan? Faking a trip to Paris in the hopes of going viral. Sounds simple enough, but when a string of terrorist attacks happen in Paris when she was supposedly there, Danni finds herself in the spotlight for reasons she never could have anticipated. Similar to Ingrid Goes West, Not Okay is a satirical takedown of the vapid and shallow world of social media and the desperation people have to find a sense of meaning in their lives through attention and clicks.

Available on Hulu July 29.

It’s Nov. 9, and Nyles (Andy Samberg) is attending his cheating girlfriend’s best friend’s wedding for the thousandth (or possibly millionth) time, as he’s been forced to relive the same day over and over. Nyles seems to have accepted his fate until sister of the bride Sarah (Cristin Milioti) ends up stuck in the same time loop. In lesser hands, this movie could easily feel unoriginal or trite, but Palm Springs proves to be a clever rom-com reimagining of Groundhog Day instead of a shameless rip-off. Having two people stuck in an endless time loop together instead of one poor schmuck trapped all alone may seem like a small change, but it turns out to give the movie its own vibe entirely. Palm Springs largely ignores the self-improvement aspect of Groundhog Day in favor of addressing the complex nature of human connection. And thanks to the dynamite chemistry between Samberg and Milioti, it totally works.

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There’s not much to say about Parasite that hasn’t already been said in a million think pieces, but this is a rare film that not only justifies but somehow surpasses its own massive hype. But while much of the praise goes to Bong Joon-ho, who won Best Director and Best Original Screenplay at the Oscars, the performances from the actors tend to get overlooked. The entire Kim family is outstanding, as all four actors manage to display the family’s growing sense of desperation and bitterness as they try to survive their life in squalor. Park So-dam’s performance as Kim Ki-jung is awardworthy, as she is able to bring in a layer of dark humor into the role while remaining entirely in character.

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It’s hard to describe the cultural power that the Olsen twins held for kids of a certain age during the mid-’90s into the aughts. They weren’t just movie stars; they were icons. And that star power is on full display in Passport to Paris. Melanie (Mary-Kate) and Ally (Ashley) are sent to Paris to visit their grandfather, who is the American ambassador. Of course, once they arrive, the twins end up ditching boring museum tours to drive around on mopeds with a couple of Parisian boys. Like any great Mary-Kate & Ashley flick, Passport to Paris is a whole lot smarter, funnier, and more charming than you might expect it to be, and the Olsen twins remain some of the best child actors of all time.

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Rob Feld (Nicolas Cage) lives a quiet life of reclusion as a truffle forager in the forests of Oregon until one day his beloved pig is kidnapped and he is forced to reenter society to retrieve his closest companion. This movie was marketed as “John Wick with a pig,” but it turns out to be an entirely different journey, as Pig turns into an emotional exploration of Rob and what drove him away from the world where he was once heralded as a legend. Cage delivers one of the best performances of his legendary career as he gives Rob a stoicism and gravitas that are really just covering up for the immense heartbreak and inner turmoil he is unable to escape.

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If you’re a sucker for once-in-a-lifetime love stories, you are going to love Portrait of a Lady on Fire. Set in France in the late 18th century, the film tells the story of Marianne (Noémie Merlant), a painter who is commissioned to paint a portrait of Héloïse (Adèle Haenel), a young aristocrat set to marry a wealthy nobleman. Romance movies have a tendency to be melodramatic, but Portrait opts for a more subtle approach, allowing the tension to grow as Marianne and Héloïse slowly gravitate toward each other. The film also makes no attempt to hide the lack of social freedom granted to women during this time period, which adds a certain level of tragedy to the love these two share.

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Kym (Anne Hathaway) is the “screwup” sister who temporarily gets discharged from rehab in order to attend her sister Rachel’s (Rosemarie DeWitt) wedding. Over the weekend, the two pull out every possible skeleton in their closet as they attempt to reach some form of an understanding. It’s an atypical performance from Hathaway; Kym is not the Type A go-getter you might be used to seeing her play. But this is sneakily one of the best performances of her career —  Hathaway shows her range and finds the depth and humanity in Kym, even at her lowest moments.

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Gary “Gal” Dove (Ray Winstone) is a former criminal happily enjoying his retirement in Spain when Don Logan (Ben Kingsley), a dangerous crime boss, visits him to convince Gal to join him for a bank heist. Gal refuses, and things quickly spiral out of control from there into a violent and messy affair. Sexy Beast functions as an extremely dark comedy that shows the grim underbelly of a life of crime, and that tone brings out an all-time performance from Kingsley, who goes full sociopath and is genuinely terrifying to watch. It earned him a well-deserved Oscar nomination and remains one of the best movies of his esteemed career.

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Cash Green (LaKeith Stanfield) is a down-on-his-luck guy who needs a job to keep from getting kicked out of his house, which is actually just his uncle’s garage. Out of pure desperation, he lands a job as a telemarketer at RegalView. At first, Cash struggles to make any sales, but when he adopts a “white voice” on the advice of another Black coworker, he quickly finds himself climbing the corporate ladder. For the first hour or so, this dark comedy seems like a clever but straightforward satire on race in America, but Boots Riley, who wrote and directed the film, ultimately goes much deeper than that. Sorry to Bother You‘s blend of absurdism and cynicism allows the film to examine with remarkable insight the sinister roles that race and capitalism play in modern society, going beyond the surface to expose systemic racism and the parasitic relationship between the wealthy and the working class. It’s also got a twist that I pretty much guarantee you won’t see coming.

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Nearly 25 years after her tragic death, Princess Diana remains a cultural fixation, as her short but memorable life is still discussed by countless admirers to this day. Spencer is hardly the first Diana biopic, but it is undoubtedly the best, as it focuses on her decision to end her marriage to Prince Charles and leave the royal family. And Kristen Stewart does a fantastic job portraying the internal struggle that the Princess of Wales faces during this trying time, rightfully earning the first Oscar nomination of her career. Whether you are a borderline Princess Diana historian or completely clueless about her story, you’ll enjoy this intimate look into someone as they discover that living a fairy tale isn’t all it’s cracked up to be.

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After being busted for vandalism, Tyler (Channing Tatum) is forced to do community service by working as a custodian at the Maryland School of Arts. His secret talent as a dancer is discovered by Nora (Jenna Dewan), a student at the school, and the two end up teaming up for her senior showcase. Step Up was a surprise hit, earning over $100 million at the global box office and spawning a few flawed-but-entertaining sequels. However, the real story of Step Up‘s success was how it launched Tatum’s career. Without this movie, Tatum never would’ve become the star that he is today. And even all of these years later, it’s easy to see why this got him the attention of Hollywood, as his natural charisma and talent is on fully display here.

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During the summer of 1969, Harlem hosted a six-week music festival to celebrate African American music and to promote Black pride in the larger culture. Nearly 300,000 people attended to watch some of the biggest names in music, including Nina Simone, B.B. King, Sly and the Family Stone, and Stevie Wonder, perform. And yet it is rarely mentioned in pop culture. Why? That is the question that Questlove, who directed the documentary, is looking to answer, by showing footage from the festival that was restored. The result is what documentarian Mark Kermode called “the best music documentary I’ve ever seen” — and it earned an Oscar win for Best Documentary Feature.

Watch it on Hulu.

Bryan Mills (Liam Neeson) is a former CIA agent who is forced to use his “particular set of skills” to track down his daughter Kim (Maggie Grace) after she is kidnapped in Paris. Before Taken, the idea of Neeson as an action hero seemed ridiculous, but his brutal intensity made this movie an unexpected hit, spawning two sequels and countless imitations, many of which have also starred Neeson. But the original remains action hero Neeson at his best, as it is a thrill watching him mercilessly take down anyone who stands in his way as he works to get his daughter back home safely.

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Matt (Ed Helms) is a successful app developer who decides he wants to become a father as he approaches middle age. He selects Anna (Patti Harrison), a twentysomething working a coffee shop, as his surrogate, and as the pregnancy progresses, their relationship grows as well. The chemistry between Helms and Harrison is fantastic, as their odd-couple dynamic has a warm and hilarious intimacy. Since its debut at the Sundance Film Festival earlier this year, Together Together has received universal praise from critics, with Harrison being singled out for her breakout performance. The movie also features a killer supporting cast that includes Tig Notaro, Jo Firestone, Anna Konkle, and Julio Torres.

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Every genre of film has a basic formula, but perhaps no genre is more mind-numbingly formulaic than the music biopic. And Walk Hard has a blast lampooning every single one of those tropes with the story of Dewey Cox, a fictional musician played perfectly by John C. Reilly. From his humble beginnings to his meteoric rise in the music industry to his eventual spiral into the world of sex, drugs, and rock ‘n’ roll, Cox experiences every up and down seen a million times in generic biopics about musicians. The movie is purposely ridiculous and has fun infusing Cox into the well-trodden history of music, with an endless wave of stars stopping by to announce themselves as rock legends (the sequence where he meditates with the Beatles in India is especially funny). And if all of this wasn’t enough to make you want to check out Walk Hard, you should know that the totally made-up discography of Dewey Cox is far better than it has any right to be.

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Lori (Aya Cash) and Doug (William Jackson Harper) are forced to attend a wedding together just after they decide to call off their long-term relationship. It’s a simple premise that allows the film to explore the complexities of a couple who no longer want to be together yet remain drawn to each other. We Broke Up has received mixed reviews from critics so far, but Cash’s and Harper’s performances have been praised. As the two effortlessly make the jump from television to the big screen, their natural chemistry brings a depth to the fractured relationship between Lori and Doug.

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The relationship between Tess (Melanie Griffith), the ambitious secretary who is determined to make it as an executive, and Jack (Harrison Ford), an investment broker, is a complicated one. They first meet just after Tess finally gets her big break, and they have an instant connection. Jack seems to be the only person who really believes in Tess and sees her talent and drive. But Tess is unaware that Jack is the man she is giving her first big pitch to the next day. It’s a premise that could easily have become too convoluted, but the rapport between Griffith and Ford makes Working Girl a classic.

Watch it on Hulu.