Skipping 'Strange World'? You're Missing out on Splat, an Exciting Evolution in Mischievous Disney...
Bill Desowitz
How the 'Knives Out' Sequel Got Its 'Glass Onion',Oscar-winning production designer Rick Heinrichs discusses...
Deciphering 'The Spielberg Code' with 'The Fabelmans',Cinematographer Janusz Kamiński and production designer Rick Carter...
The Oscar-winning composer tells IndieWire about finding a sound for Namor's introduction to the...
A gentler take on Ruth Stiles Gannett’s classic children’s book doesn't mean the Irish...
‘Drifting Home’: How Hiroyasu Ishida’s Childhood Fueled His Anime About a Floating Apartment Complex
"Penguin Highway" director details the deeply personal inspirations behind his film about friends stranded...
Jordan Peele on shooting the night sky in "Nope": What Hoyte was able to...
ILM's virtual production platform was used as in interactive lighting tool for shooting the...
The animation auteur discusses making his Emmy winner more epic, turning it into an...
Chris Williams left Disney after 25 years to make a retro seafaring adventure that...
Taika Waititi on moving the MCU away from "tennis ball on the ceiling" green...
In the six-episode series, Baymax helps people with physical ailments while also getting them...
Director Colin Trevorrow used more animatronic dinosaurs than ever before alongside ILM's CG creatures.
Working with IMAX was quite complicated for Pixar, requiring a new way of handling...
The animators tell IndieWire what it was like collaborating with Fincher on the mo-cap...
The Oscar and Emmy winner tells IndieWire about his Netflix return: "I want it...
Wētā FX explored how far to push the Zombie Strange gore factor, including an...
Does the survival thriller have what it takes to notch the nominations that separate...
To connect the camera kinetically and emotionally to the players, the cinematographers used a...
Editor Todd Downing tells IndieWire how Season 2 was like "ripping the layers off...